GRACIE
My
grandmother gave birth often, which I suppose increased her
odds for tragedy. Her first born, a sweet, chatty daughter,
died when she was three years old from dehydration and the
flu. My mother had become the oldest McLaughlin child by default,
and three more of my five aunts and uncles were already walking
or crawling, climbing over furniture and driving my grandfather,
whose heart had broken with the death of his first baby, crazy
when my grandmother became pregnant with twins.
Today
twins are considered a high-risk pregnancy. Im sure
they were then too, but my grandmother had four kids under
the age of six to clean, dress, feed and teach manners to
with the help of Willie, the live-in black maid. My grandfather
was a lawyer and on the weekends he played golf and in the
evenings he drank scotch. This was long before the days of
co-parenting, long before it was even a word.
My
grandmother had to get my mother and Pat into neatly pressed
uniforms and off to single sex catholic schools every morning.
She had to keep the two youngest home with her while she and
Willie split the cleaning, laundry and cooking. She had to
write letters to her mother and her husbands mother
each week, updating them on the familys life. On Sundays,
out of respect for the Lord, she met the challenge of keeping
all of the children quiet and prayerful in their bedrooms
without toys or any books other than the bible.
Pregnancy,
even of twins, did not get in the way of the daily routines.
It couldnt, really, since my grandmother was, for the
first eleven years of her marriage, more often pregnant than
not. So, she picked up toys and assigned the children chores
and shushed them around their father and kept an eagle eye
on their manners at the dinner table and supervised prayers
before bedtime as her five foot two, petite body swelled.
She occasionally allowed herself a small nap while she sat
upright at the kitchen table, a bowl of peas waiting to be
shelled under her fingertips. But that was it. Birthing children,
making a big family, raising it up right was her main job.
She ignored all sharp pains, any warning signs that something
might be wrong. She was never one to complain. Even now, at
the age of seventy-eight, she refuses novocaine at the dentists
office. She lies perfectly still, hands folded on her waist,
while the dentist, shaking his head in amazement, drills into
her teeth.
My
grandmother went into labor very suddenly one night after
she and Willie had finished serving the evening meal. She
set down a bowl of broccoli and pressed the heels of her hands
hard against the edge of the table. Children, she said. Meggy,
elbows off the table. Your father and I will be eating later
tonight. Kelly her sharp blue eyes on my mother, the
oldest now that the true oldest was gone Youre
in charge here, understood?
She
walked carefully out of the dining room, aware of the childrens
eyes on her, turned the corner, and collapsed. The doctor
didnt make it in time. Willie boiled water and carried
a stack of clean towels to the bedroom and wept while my grandfather,
scared and therefore annoyed, stood by the head of my grandmothers
single bed and told her to keep it down. He cursed the doctor
for his slowness. He cursed Willie for moaning under her breath
at the sight of blood. He cursed his pipe for not lighting
on the first try. He cursed the children in the other room
for their existence. He cursed his first child, his sweet
baby girl, for dying on him and leaving him here like this.
Shipwrecked and lonely. Useless.
The
doctor, his pockets filled with lollipops for the McLaughlin
children, showed up just as the twins were born. Still born.
My grandmother must have felt it. After the long last shudder
of labor she turned her head to the wall, shut her eyes and
began to wail. My grandfather and the doctor were shaken by
the noise. The doctor bent over the babies, one boy and one
girl, making sure that there was nothing he could do. There
was nothing he could do.
My
grandmothers cries got louder.
Now
Catharine, my grandfather said, looking from the still, purplish
babies to this woman whose contorted face he did not know.
The
doctor gathered the infants in his arms. Get them out of here,
he said to my grandfather. She cant take the sight of
them.
My
grandfather grabbed the babies and, glad to have something
to do, an answer to the misery in that room, an order to follow,
rushed through the house. He stumbled two steps at a time
down the stairs. He strode through the living room where Kelly,
Pat, Meggy and Theresa sat on the couch and on the floor where
Willie had told them to Keep Quiet and Pray. The children
watched, frozen in their places as their father moved past
them, blood covering his crisp white work shirt, two purple
babies held against his shoulder. He was in their sight for
only a few seconds, but that was long enough.
Then
my grandfather was in the kitchen, where Willie had gone to
hide after the doctor arrived. He yanked open the door to
the garage and rounded the corner to where the huge metal
garbage cans were kept. He lifted off one of the metal lids,
and dropped the babies inside. They fell one after another
onto a cushion of broken eggshells and milk gone bad and a
few potatoes that had sprouted knobs and spuds too unsightly
to just cut off and ignore.
The
story of the twins birth is a strange comfort to me.
I recognize myself in the story; I recognize the people I
come from and am surrounded by. It proves that even when the
worst thing imaginable happens, the individuals involved still
survive. The McLaughlins were able to limp away from the death
of those babies. They remained a family. Daily routines, petty
arguments, and relationships continued. I run this story over
and over in my head because I need the convincing right now.
I need to know that my world is not about to explode, in spite
of any surprise or botched plan I throw at it.
The
twins stillbirth is just one of the refracted images
that has made its way down through the communal memory of
my family, breaking over each of us like a wave. My mother
witnessed that day with her own eyes, and then twenty years
later those same eyes saw my birth. She never spoke of the
twins because my mother, like her own mother, never
speaks of anything important. But still I was aware of what
she had seen from her seat on my grandparents living
room floor long before I was able to put words to it.
That
has become my obsession, and sometimes livelihood, putting
words to sensations, inklings, feelings. Looking for the back-story.
I write a daily advice column for the Bergen Record. I used
to date the editor of the paper, and Grayson both came up
with the perfect job for me and let me keep it after we broke
up. He is probably my favorite ex-boyfriend. I love to come
up with the right phrase, and to pinpoint the stories that
have made people who they are. I enjoy working out other peoples
problems. I like to come up with the final word, the right
answer, and to see that printed indelibly in black and white.
No
one in my mothers family ever talks about anything that
can be categorized as unpleasant or having to do with emotions,
and, as a result, they no longer have anything to say. My
mother has no idea how to carry on a normal conversation;
my Aunt Meggy never stops talking and yet never says anything
constructive; and getting more than four words out of my Uncle
Pat is a major feat. For them its not a matter of keeping
secrets; its a matter of being polite, mannerly, and
tough. The McLaughlins couldnt spill their woes or ask
for help even if they wanted to, because they dont have
the vocabulary. They are stranded within themselves; convinced
that the only way is to silently persevere.
My
last name is Leary, but I have a lot of McLaughlin in me.
Its like looking at a reflection in a broken mirror;
I can see the sharp corners and growing cracks of my family.
I see pride fix my thin lips shut. I see the irony of my profession
where I ask everyone to come to me with their heart on their
sleeves, while not allowing anyone a good look at who I am.
I spend my nights at the Green Trolley, laughing, drinking,
making eye contact with some man Ive never met before
and feeling that lightness spread through me, but I know this
is not was not ever a step towards revealing
myself. I tell lies in that bar. I sometimes give a false
name. I tell men whatever I think they want to hear, and once
the words are out of my mouth I half believe them. I never
tell anything close to a whole truth, to anyone.
Unfortunately,
I now have a secret that I wont be able to hide for
much longer. Theres no lie, fib or narrative that will
keep people from knowing this truth. Everyone will take one
glance in my direction and know my story. My belly will give
me away. Twenty-nine year old woman, not enough steady income,
no husband, pregnant.
Tonight
I picture my dead grandfather hugging his dead infants to
his shoulder, ruining his fine white shirt forever. Breathing
steadily, in and out, aware of the muscles in his calves as
he pumps down the stairs, aware of the throbbing at his temples,
the dryness in the back of his throat which means he will
have a drink at the first chance he gets. He clutches the
babies and feels all these things and thinks, At least I am
alive. Then he thinks it as a question, as he rushes past
the living children sitting tight as balls on the floor and
on the couch.
Am
I alive? Is this my life?
©2004
Ann Napolitano. All rights reserved.
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Costello.
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